G-Sonique released SWEDE TRAP BASS

G-Sonique released Swede – Trap Bass VST kick & bass synthesizer (with producer of music for Lil Wayne, DJ Khaled, Gucci Mane, Nas, Dalex, Farruko and more).
Swede Trap Bass is a plug-in synthesizer designed for creating heavy Trap / Hip-Hop Kicks and fat Basslines. Cooperation between G-Sonique X Swede, plug-in developer more than 14 years of experiences in the audio software market and famous hip-hop RIAA platinum producer Swede.

Swede has made music for world rappers and singers such as Lil Wayne, DJ Khaled, Gucci Mane, Nas, Farruko, Dalex, etc. his music has been used in Hollywood movies / soundtracks like Bad Boys for Life with Will Smith, etc.

Trap Bass is instrument designed to create kick drums and basslines easy and fast without the need of difficult post-production and fine-tunning with additional effects, everything is included. With trap bass you can create massive kicks and basses in seconds, from classic to progressive new kind of basslines. The synthesizer combines the best of digital and analog/vintage, from warm analog filters and oscillators, to vintage style exponential envelopes coded after real hardware drum boxes. 20 kick oscillators, 8 filters, oscillator waveshaping, analog distortion circuits, parametric saturation and much more. Thanks to emulation of various vintage analog circuits/modules plug-in sounds very smooth, round and fat comparing to basic digital synths.

The synthesizer is designed for heavy Trap and Hip-Hop kick drums and basslines but it can be used in various music styles like Techno, House, Acid, Rave, Underground tekno, Hardcore, Gabber, Psytrance, Deep Drum and Bass, Bigroom, Minimal, Uk garage, Downtempo, Electro and others.

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TOP FEATURES:

Oscillators:
Main core of every synthesizer is the Oscillator. Our killa oscillator contains 20 precisely designed shapes. Beside basic sinuses it also includes modern and progressive sounding oscillators like Brutal overdriven, Tube processed, Vintage sinus, Computer sin, Detroit analog, Clipped sinus, etc. You can set oscillator tone, pitch and phase too.

Filters:
The Filter section includes 8 high-quality filters – from the warm analog emulations to a code based on the digital DSP hardware synths recreated from DSP chips. There are filters like Dirty Analog Low pass, Peaking, Notch.
Even standard modulations are available – such as Analog style envelope, Cutoff, Resonance.

Wave-shaping algorithm:
This is a special wave-shaping algorithm placed before the filter! This way it creates a totally different effect rather than a wave-shape or a saturation placed as an external effect. Our wave-shaping algorithm will create a wide scale of sound manipulations – from the subtle analog style saturation, to the cubic or square digital shapes. From the modern and smooth style to the vintage analog warm colors. You can set a shape and wave-shape amount as well as amount of square or cubic shaping. Again, this is a nonlinear processing module so the parameters can create hundreds of different sound combinations.
You can turn the wave-shaping normalization on and off to keep the normalized volume level after processing.

Amplitude envelope:
This is a classic amplitude envelope, but with a vintage behavior based on the drum boxes from 80’s.
Also, with the modulation knob, you can control the peak output volume that drives the output saturation and overall color.

Oscillator pitch envelope:
This is not a classic envelope. This is an exponential envelope inspired by the vintage drum machines to recreate the legendary hip-hop kicks from 80’s – the kicks with non-standard parameters like Start shape and Shape amount.
+ there is a big and precise pitch envelope modulation knob to set the desired kick sound and shape

Voices + Glide:
You can set the voice as poly and mono. Glide between the different notes necessary for the trap music. This is something that you cannot do properly with the basic samples.

Oscillator output:
The analog drum machines shape sound and color in a nonlinear way – that means that the louder output was more saturated, it generated more harmonics and the kick was fatter. We’ve recreated this behavior which you can control with a knob.

Analog distortion circuit gain:
A precisely recreated analog distortion circuit module based on famous guitar pedals necessary to create heavy “in your face” kicks. It doesn’t sound harsh like the digital distortions. With a knob you can choose between subtle and heavy distortions.

Parametric saturation:
The last processor in the unit affecting the overall sound (analog vs dsp style) is a parametric saturation. You can tweak the sound with parameters like Saturation shape, Saturation level, Saturation shape level and apply the final effect amount with the dry/wet knob.