XILS-lab releases multi-effects plug-in Ring’X
XILS-lab is proud to release Ring’X — readily representing the latest addition to its lengthening line of virtual effects as an inspiring and musical multi-effect plug-in par excellence — as
XILS-lab is proud to release Ring’X — readily representing the latest addition to its lengthening line of virtual effects as an inspiring and musical multi-effect plug-in par excellence — as
XILS-lab is proud to release Ring’X — readily representing the latest addition to its lengthening line of virtual effects as an inspiring and musical multi-effect plug-in par excellence — as
XILS-lab is proud to take PolyKB III to Version 3.6.3 status — lovingly lavishing the virtual instrument plug-in par excellence with a new hi-res UI (User Interface) and associated faster
XILS-lab is proud to take PolyKB III to Version 3.6.3 status — lovingly lavishing the virtual instrument plug-in par excellence with a new hi-res UI (User Interface) and associated faster
XILS-lab unleashes update to Chor’X chorus plug-in par excellence with welcomed version 2.0 release. GRENOBLE, FRANCE: XILS-lab is proud to announce availability of Chor’X 2.0 — readily representing an unforgettable
XILS-lab unleashes update to Chor’X chorus plug-in par excellence with welcomed version 2.0 release. GRENOBLE, FRANCE: XILS-lab is proud to announce availability of Chor’X 2.0 — readily representing an unforgettable
XILS-lab is proud to announce availability of KaoX — a virtual instrument inspired by a legendary FM (Frequency Modulation) synthesizer, albeit bolstered by virtual analogue sound synthesis and additional chaotic
XILS-lab is proud to announce availability of KaoX — a virtual instrument inspired by a legendary FM (Frequency Modulation) synthesizer, albeit bolstered by virtual analogue sound synthesis and additional chaotic
XILS-lab is proud to announce availability of XILS 505 — a ‘numeric namesake’ virtual instrument inspired by the (analogue) architecture of one of the finest paraphonic string machines of its
XILS-lab is proud to announce availability of XILS 505 — a ‘numeric namesake’ virtual instrument inspired by the (analogue) architecture of one of the finest paraphonic string machines of its
XILS-lab is proud to announce availability of Syn’X 2 v2.5 — elevating its exciting- sounding subtractive synthesis polytimbral powerhouse to higher heights with a welcomed upgrade duly delivering several serious
XILS-lab is proud to announce availability of Syn’X 2 v2.5 — elevating its exciting- sounding subtractive synthesis polytimbral powerhouse to higher heights with a welcomed upgrade duly delivering several serious
XILS-lab is proud to announce availability of XILS 4 v1.5 — a major update to its self-styled ultimate matrix modular soft synth, effectively emulating a conceptual ‘blend’ of the legendary
XILS-lab is proud to announce availability of XILS 4 v1.5 — a major update to its self-styled ultimate matrix modular soft synth, effectively emulating a conceptual ‘blend’ of the legendary
XILS-lab is proud to announce availability of PolyM — an authentic recreation of the pioneering Polymoog polysynth, dreamed up by American designer Dave Luce and produced by Moog Music between
XILS-lab is proud to announce availability of PolyM — an authentic recreation of the pioneering Polymoog polysynth, dreamed up by American designer Dave Luce and produced by Moog Music between
Unlimited polyphony ! Back in the 70’s a wonderful machine was designed offering, as it was said at the time, unlimited polyphony ! Even if this was not true, compared
Unlimited polyphony ! Back in the 70’s a wonderful machine was designed offering, as it was said at the time, unlimited polyphony ! Even if this was not true, compared
XILS-lab released PolyKB III, the third software ‘reincarnation’ of the ultra-rare RSF Polykobol II — an analogue (albeit arguably failed) French programmable polysynth par excellence — as the synthesizer they
XILS-lab released PolyKB III, the third software ‘reincarnation’ of the ultra-rare RSF Polykobol II — an analogue (albeit arguably failed) French programmable polysynth par excellence — as the synthesizer they